Kintsukuroi | 2016
to imperfections, ugliness, and corruption: to all what makes us human
A man once covered his entire body in
tattoos of flies and skeletal bones
and became known as the living corpse.
When asked why he did so, he answered simply
that he wanted his outside to reflect
how he felt on the inside.
I wonder if where he came from
roosters crowed at dawn
the way they are supposed to
since from my shut window in Hamra
all I see are busy streets filled with cars
and their irate busy horns.
I find my way around Bliss Street
but there are hurdles.
Interruptions.
Beggars are always blessing my wedding ring
and wishing me a fertile uterus
while my phone continuously vibrates
amusing itself with news notifications
of political leaders advising their citizens
not to visit my country any time soon.
Meanwhile, Islamic Adan chymes in the background
as my mind wanders off to the Japanese art
of “repairing with gold” that which is damaged and flawed
with the understanding that the overall item
must not be concealed but celebrated as it
is more beautiful now because it was broken.
But there is no amount of gold
that can put my country back together again.
There are only scraps and morsels
of leftover meals in month-old garbage bags,
and though it’s a dog-eat-dog world out there
Beirut, was never hungry.